From the moment at the beginning of the film when the camera zooms in on the battered black Penguin Classic that the hero, also black but considerably less battered, is reading, as his taxi – a 1960s Jaguar – lurches over the potholes on its way to the copper mine at Nigga Donga in India, you know that you're going to be in for one hell of a scary ride.
When you descend into the bowels of the earth in a rickety lift with the hero, who rejoices in the name Chiwetel Ejiofor, and a handsome Indian astrophysicist with a beautiful wife and a chess-playing son, you know that this is going to be a gut-wrenching experience. As you're taken on a Cook's tour from India to Paris via Washington DC, Canada, China (or is it Tibet?) and London, you realise that this movie is going to be Uttar Pradesh.
2012 is a film that sets the bar so low that a cameo by an Arnold Schwarzenegger look-alike provides the highlight. The clichés come so fast that you end up wishing you will be vapourised at the halfway mark with Woody Harrelson, who plays the loony libertarian who may not have a regular pay check coming in but who knows everything from how to run his own radio station from a camper van to how to read the lines he's been given while keeping a straight face.
As compensation for being made to dress up like Lord Baden Powell auditioning for ZZ Top, Woody is given one of the best lines before he exits in what I believe was called a solar climax – a great ball of fire to you and me. When he gets a call from the white hero, John Cusack, asking him where he keeps the map that has the location of the bunker with the space ships in which people with a billion Euros to spare will escape the coming global devastation, Woody replies, "It's on the 'Conspiracy' shelf – between Roswell and Marilyn Monroe."
But, in an incredible twist, it turns out that they're not space ships after all; they're – wait for it – real ships, as in the ones that float in water, in anticipation of the mother and father of all tsunamis that's set to envelop the Himalayas. And what's more, they've been built by the Chinese at breakneck speed under Mount Everest. ("Don't mention Tibet! I mentioned it once but I think I got away with it.") So, not only are they incredibly well built – like everything with "Made in China" stamped on it – they're also guaranteed to ensure that the movie gets shown in Chinese cinemas and goes on to break all box-office records there.
Meanwhile, in a world where you're beginning to say along with Long John that "Them that dies'll be the lucky ones", the White House has morphed to Bleak House via Black House thanks to a performance by Danny Glover that makes Jimmy Carter look strong, credible and statesmanlike. Not only is he the weakest POTUS in history, he has a daughter who rejoices in the name of Thandie Newton and who has the hots for Chiwetel Ejiofor because he's the only guy she's ever met with a weirder name than her own.
"I read 2,000 books in high school and never had a girlfriend," says the geologist, now rock hard and close to eruption.
"I didn't kiss a guy till I was in my twenties," the art historian replies, shuddering as the phallus-shaped ark emerges from a head-on collision with the north face of Everest with nothing more than a cracked helmet.
Yes, they do call them "arks" and, yes, they do carry animals – we see giraffe and elephant swinging from helicopters as they fly over K2. And, yes, the cruise liner that Chiwetel's Dad is employed as a crooner on is called Genesis, and, yes, John Cusack's boy is called Noah. And, yes, Noah's evil stepfather – a bespectacled plastic surgeon who dresses like a dentist – is called Gordon, while Cusack – a failed writer with an Internet addiction – is given the manly name Jackson. Call a man Gordon and you know his fate's been sealed and he won't ever get to beget with Jackson's ex.
Think Gordon, and you think losers like Gordon Liddy and Gordon Brown. Think Jackson, and you think winners like Jackson Pollock and Michael Jackson. Combine them both and what do you get?
A monster like Gordon Jackson.
